ARMENIA: THE CRADLE OF CIVILIZATION
LAND OF THE GODS AND THE COSMIC MOUNTAIN

ARARAT...ARATTA --The Land of the Mountains Where the Gods Live of the great Epic of Gilgamesh. The Land where the Garden of Eden -- the Tree of Life and the Tree of Wisdom is located...the Twin peaks of Mashu  - the SYMBOL of the holy Cosmic Mountain. When many of us hear this name we picture the birth and rebirth of humanity and human civilization in the sacred land in the highlands of ARMANIA. The Bible also recounts the ancient stories of Genesis, including the Paradise [Birth of Humanity] and also the Rebirth of Humanity in the sacred Mountains of the Land of Ararat, the holy land where the resurrection of the human race took place. The Twin Peaks of Mount Ararat are in the heart of Armenia, and from a bipolar geographical objective one can argue that of the world. They are symbolic of the Holy Mountains of the Land of Aratta/Ararat/Ararad [Kuti-Guti-mountain range in the Sumerian inscriptions and the Al-Judi of the later Islamic writings]  -- the location of Ararad in the Korduk Province in the southern section of the Armenian Plateau [The Twin Peak Masis in the Ayrarat Province being the SYMBOL of Armenia-Ararat -- Land of the Holy Mountains]. Since times immemorial Ararat [also Ayrarat in Armenian sources, Aratta in Sumerian inscriptions, Urartu in Assyrian inscriptions and Ararat in Hebrew sources [the reference in the Book of Jubilees states: 'Ur built his city after his own name AR.A'  in fact the Sumerian city of Ur was alternatively known as AR.A which stood for the Solar Deity in the Armenian Pantheon and in Sumerian means Shining and also City implying the fact that the very Civilization is associated with Light/Knowledge/Sun] has been a Holy Mountain and a Holy land for the peoples of the ancient world.

A    R    M    A    N    I - S U B A R T U  IN THIRD MILLENNIUM BC
T H E   C R A D L E   O F   I N D O - E U R O P E A N S

The Sumerians that were of Armenid extraction had established one of the first centers of civilization in the lower part of Mesopotamia. From the very first foundations in the sixth millennium BC, the Armenic Sumerians grew over a period of 3000 years to become the most sophisticated society on EArth. As was ably demonstrated by Samuel Noah Kramer in his classic work History Begins in Sumer, the number of 'firsts' attributed to the Sumerians is virtually endless. They designed the first colored pottery. They conducted the first medical operations. They made the first musical instruments. They introduced the first veterinary skills and developed the first written language. They also became highly accomplished engineers, mathematicians, librarians, authors, archivists, judges and priests. They were the descendants of the shamanic high priests of ARMAN-ARAM of Subartu-Aratta of Metsamor [Great Mother's], Ur-Hai [Urfa, later Edessa the ORION center], Harran, Göbekli Tepe [Navel Mountain -- translation of ancient Arman name associated with Female+Male union], Nevali Çori, Çayonü and Çatal Huyuk. Most scholars agree that Sumerians initially inhabited Armenian Highland and gradually descended to first Northern Mesopotamia and eventually spread further south, establishing the cities of Ur [excavated by Sir Leonard Wooley in the 1920s], Uruk and Eridu [note the sacred AR-MAN variations -- AR-UR-ER-OR prefix]. Fortunately a number of Sumerian inscriptions dating from somewhere between 2750 and 2500 BC have been preserved. They give us a fascinating glimpse into the Sumerian origins and culture. In the great Epic of Gilgamesh, the Sumerians recount the land of their ancestors, the Arattans in the Highlands of Armenia. Most scholars agree that Aratta [Suburi - Sumerians also known as Suberians and called themselves Shinar[ar]s] was in fact the first Indo-European state that existed in the first half of the third millennium BC.
 

O     R     I     O     N

A MEDALLION FROM IJEVAN DIG. SECOND MILLENNIUM BC.
FOUR CARDINAL PERIPHERAL POINTS,
ALONG WITH EIGHTH CARDINAL DIRECTIONS
LEAD TO THE CENTRAL CORE -- THE ONE SOURCE OF ALL.

DIFFUSION FROM T H E  S A C R E D  H I G H L A N D
 

The Epic of Gilgamesh written ca. 2,700 BC, tells us the story of the Great Flood and the rebirth of Life [the Tree of Life or the Garden [PARTEZ - PARADISE - the main motif in the Armenian-Hurrian Mitanni and Araratian reliefs] of Eden located in Armenia - the Land of Four Rivers

O R I O N I C  HIGH PRIESTS OBSERVE THE PRELIMINARY RISE [JULY 23 --
SUMERIAN-SHINAR AND EGYPTIAN-M[I]R...FROM MI[T]HR AND MIT[R]ANNI...
19 DAYS LATER COMES AUGUST 11] OF
SIRIUS [DOG STAR] FROM CONSTELLATION OF CANIS MAJOR.

THE ASTRONOMICAL WONDER SITE OF METSAMOR AND THE ORACLE AT DODONA
ARE BOTH ON 40º NORTH. PLACING A COMPASS ON THEBES IN EGYPT, AN ARC CAN
BE DRAWN THROUGH BOTH METSAMOR AND DODONA -- THUS COMPLETING THE
SACRED TRIANGLE OF GEOMANCERS.



APOTHEOSIS. A R M A N [ARMINIAN-AR-MEN-IRMIN] SACRED TEXT.
ORION-SIRIUS THE SOUL-SPIRIT OF EA-HAYA... PHOENIX -- THE SOUL OF HAY[A]K

Land of Nairi literary means the Land of Waters and Fire - that is symbolic of the Armenian Highland of many rivers and lakes and the fiery volcanic mountains] - with Tigris and Euphrates originating in the sacred highlands and flowing downward to south thus nourishing and giving Life to the land between the two rivers and the Fertile Crescent that is otherwise surrounded by scorching deserts]. Son of Haya, was Dumuzi [the Shepherd King] symbolic of the sacred -- ORION -- in the Armenian priestly astrology representative of Hay[a]k -- Child of God HAYA-EA [Ēut'iwn].
 

30º
 

The Armenian Temple City of Urha-Orrheone [later Urfa] being one of the most important ancient centers of the solar cult of Orion [Hayk] renowned throughout the ancient world. The Armenic Sumerians used the ancient name Uru-anna [lit. the Light of Heaven]. In Armenia, the same place as described in the Bible as being where Nimrod [Nemrut'] built his major cities we find the origin of the celestial cult of Orion.

STAR CHILD

Aldebaran is one of the easier stars to find in the night sky, partly due to its brightness and partly due to its spatial relation to one of the more noticeable asterisms in the sky. If one follows the three stars of Orion's belt from left to right [in the Northern Hemisphere] or right to left [in the Southern], the first bright star found by continuing that line is Aldebaran.

Astrologically, Aldebaran was a fortunate star, portending riches and honor. This star is one of the four "royal stars" of the Armenic ancestors. As the star of illumination, Aldebaran irradiates the Way using the applied power of transformation. In seeking illumination, we can cultivate the ability to use the mind as a reflector of soul light. The other three Royal Stars are Antares in the constellation Scorpio the Scorpion, the Western Royal Star, Regulus in the constellation Leo the Lion, the Northern Royal Star, and Fomalhaut in the constellation Pisces Austrinus, the Southern Fish - close to the constellation Aquarius - the Southern Royal Star.

This brilliant star, has been used for centuries in navigation, and is known by many civilizations to be connected with the spirits of rain and the fertility of the Earth. Approximately 5,000 years ago, the rising of Aldebaran marked the vernal equinox and was the beginning of the astronomical New Year.

Aldebaran is the Eye of Revelation. Life is filled with Metaphors and Revelations. The evolutionary process is essentially a journey into consciousness awareness through Revelation. As we evolve, we perceive more than we ever knew was existent or perceptible, yet we are only perceiving what has always been there.

Aldebaran is also known as Buddha's Star, the Star of Illumination [Irmin-Armin-Arman Krist Consciousness], God's Eye, and the Eye of the Bull.

Taurus is often associated with royalty and divine power. Throughout the ages Aldebaran has been spiritually recognized for its alignment with Essential Divinity. There is a symbolic relation between Aldebaran, the EYE [AYA-HAYA...] in the head of the Bull, the third eye [mind chakra -- between the eyes], or the light in the head, and the diamond. The ARMAN [Krist or Buddha Consciousness] is the Diamond [of Perfection] Eye.

A   R   M   A   N   E   N         O     R     A     C     L    E

So it is not a coincidence that we find in the immediate vicinity of this holy sanctity in Armenian Highland the remnants of the first temple in human history carbon dated to 9,000 BC! The oldest known name of Edessa was actually the ancient Armenian name -- Ourhai, which is very close to our modern "Orion." Furthermore, the name of the province of Edessa was originally called Orrheone. Adrian Gilbert explains in Magi: The Quest for a Secret Tradition: "Given that there is strong evidence there was an Armenian Orion [Ori-On] Cult at Edessa, the similarity between the words Orrheonis and Orionis is such as to suggest that it was from here that the Greek Orion [Or - gold in Latin -- the metal of the gods] cult had its origins."

FLOOR PLAN OF THE ANCIENT SOLAR TEMPLE AT UR-HAI

A   R   A   M  - H   I   G   H   L   A   N   D




STATUES OF ARMENID SUMERIANS.
THE TRADEMARK OF ARMENIANS ARE THE
LARGE AND VERY BEAUTIFUL EXPRESSIVE EYES
AY OR AYA WAS THE NAME THAT THE ARMENIANS
[HAY-ATSK -- VISION -- HAYELI -- MIRROR ETC.]
CALL THEMSELVES AFTER AYA-EA-HAYA --
THE GREAT UNMANIFEST UNKNOWN
ANTHROPOMORPHICALLY MANIFESTED IN BINARY UNION OF
GOD/DESS THEIR ANDROGYNOUS ESSENTIAL DEITY
THE ONE [THE SOL -- SOLO -- MONAD] SOURCE OF ALL
 

THE BRIGHT EYED ARMENIANS
WHO CALLED THEMSELVES AYAS
AFTER THEIR SUPREME MOTHER GODDESS [DURING THE MATRIARCHAL ERA]
LATER IN THE THIRD MILLENNIUM BC TRANFORMED INTO MALE EA-HAYA...
BUT THE ESSENCE IS JUST ONE AND JUST IS [Ē] -- NOT EXISTING OR BECOMING
BUT SIMPLY SUBSISTING -- THE DIVINE WHOLE

AN ANCIENT STAFF WITH THE TWO HEADED [ONE] VIŠAP [SYMBOLIC
AMONG OTHER MEANINGS OF  THE AR-MAN DRAGON BLOODLINE] -- THE DUALITY IN A UNITY
[BINARY UNITY] WITHIN THE SUNBURST RAYS SURROUNDED BY THE SOLAR MANIFEST TRIUNE
SYNTHESIS -- RETURN TO WHOLENESS] GOD [MANIFESTED THROUGH THE COSMIC MOUNTAIN HIERARCHY --
THE NATURAL ORDER -- SPIRIT -- LIFE -- FORM -- OR -- SOLAR -- LUNAR -- STELLAR AND --
 -- SPACE -- MATTER -- SPACE -- TIME]   MARKED WITH THE SACRED Ē
[THE UNDERLYING UNMANIFEST ETERNAL DIVINE ESSENCE OR --
THE ABSOLUTE  -- THE MIND OF THE UNIVERSE -- OF THE MANIFESTED ± -- UNION -- OF
POSITIVE--NEGATIVE,  ACTIVE--PASSIVE, MALE--FEMALE, ETC. --
BINARY MIND EXISTENCE OF THE ONE] IN THE CORE/CENTER.

T  H  E     C  O  S  M  I  C     H  I  E  R  A  R  C  H  Y     B  Y     K.   D  I  C  K  R  A  N.

THE EQUAL ARMED RED CROSS AND CIRCLE [TOP LEFT] AND THE RED
EIGHT-POINT [BUDDHA/CHRIST CONSCIOUSNESS] SPLIT FISH [VISH-AP]
TAIL CROSS OF ENLIGHTENMENT WITH THE CIRCLE OF INFINITE SPIRIT
IS CONNECTED TO THE STAR GATE OF THE GREAT PYRAMID
AND THE HIDDEN SUBTERRANEAN HALL OF THE ELDER GODS OF
ZEP TEPI FROM DILMUN/EDEN/PARADISE/METS-A-MOR.

THE SACRED HEART OF YANTRA GAYATRI.
THE [ARMENIAN GNOSTIC] KEY OF TRUTH
IN THE FORM OF A PROFOUNDLY MEANINGFUL MANDALA.
THE COLORS ARE RED, BLUE, YELLOW AND WHITE
THE COLORS OF  ARMENIAN LUSIGNANS.
BLOSSOMED NINE [INE] PETAL ENNEAD LOTUS....Ē/AUM/AMEN

Human beings [microcosm] adapt to the direct downward pull of gravity by standing at 90° to the  apparently flat surface of the Earth. That is the vertical alignment. Our event horizon gives the horizontal  base line in relation to our body's vertical position, from this we abstract the rotating circle around  the axis and thus contouring the circle arrive to the square and the diagonal Swastika, thus completing 4 triangles...

THE SACRED PYTHAGOREAN TETRACTYS [1+2+3+4=10]
CONTAINS WITHIN ITSELF THE KEYS TO
HARMONY, WHICH IN TURN GOVERN CREATION.

4:3=THE FOURTH
3:2=THE FIFTH
2:1=THE OCTAVE
AND THE DOUBLE OCTAVE IN QUADRUPLE RATIO 4:1

THE VOLUME [SOUND] OF THE UNIVERSE

VEDIC MYTHOLOGY VENERATES THE NINE COBRAS OF BRAHMA.
A PARALLEL TO THE GRAND ENNEAD ARRANGED AROUND ATUM.
THE TETRACTYS REPRESENTS METAPHYSICAL REALITY.
PLATO'S IDEAL WORLD COMPLETE WITHIN THE FRAMEWORK
OF A FOUR-TERM SYSTEM.
CREATION REQUIRES FIVE TERMS. THE PENTACTYS REPRESENTS
THE MANIFESTED TETRACTYS.

D  I  V  I  N  E      M  U  S  I  C      O  F      E  T  E  R  N  I  T  Y
MICROCOSM [MAN] AS A MIRROR REFLECTION OF MACROCOSM [COSMOS].
SEVEN NOTES [ONCE AGAIN CONNECTED WITH THE SEVENTH LETTER OF
THE ALPHABET] RETURNING TO EIGHTH DO [FULL CIRCLE -- SPIRITUAL REBIRTH
ON THE SPIRAL OF TIME] 8 [INFINITI] UT‛IWN -- GODHOOD.

The most common basic space units and forms result from the main  grid [square and diagonal Swastika] and its application has three main divisions.  For the primary division the term '2D SURFACES' is employed -- consisting of points, lines  and the occupying space or volume [A 2D Isosceles triangle and a  Equilateral triangle, with  various grids based upon these two basic forms] for the second division, the term 'RELIEF'S'  is used which is a 2D device embossed; and in the third and final division the term '3D POLY FORMS' is
  

A CEREMONIAL POT FROM THE STAR HILL IN ENOK‛AVAN
[ENOCH] NEAR DARANI FROM SECOND MILLENNIUM BC.
DECORATED WITH EARLIEST SURVIVING FORM
OF TETRACTYS [TRIANGLE ARRANGED
IN FOUR 1+2+3+4 ROWS OF LESSER TRIANGLES]
BETWEEN THE COSMIC WATERS PRIMORDIAL CHAOS.

THE SYMBOL OF COSMIC HIERARCHY ON POTTERY. SECOND MILLENNIUM BC.

employed, which basically consists of a 1).  4 Isosceles pyramids -- Tetrahedron  4 faces and 2). Equilateral pyramid [again Tetrahedron with 4 faces] when these five 3D tetrahedrons  are united -- the completion of the Source Element -- the Square Cube -- takes place.
 

POSITIVE CHARGES IN AN AQUATIC MOLECULE  ARE INTERCONNECTED
WITH THE ATOMS OF HYDROGEN. NEGATIVE CHARGES ARE VIA OXYGENIC ELECTRONS
. THE UNION IS MANIFESTED THROUGH THE UNIVERSAL TETRAD.

ANCIENT ARMENIAN TEXT WITH THE DEPICTION OF THE  K N O T T E D  VIŠAP.

It is important here to point out the symbolism of the triune or the triangle as the visible manifestation of the universal law of three. Nothing in our Universe can be created without the combined action of the three forces described by it: active, passive and neutral.

TWO VIŠAPS FACING EACH OTHER UNITED [DIVINE MARRIAGE. NOTE
TWO RINGS THAT FORM A HEART IN THE CENTER] ON RIGHT AND LEFT IN A
TRADITIONAL KNOT WORK PATTERN
POINTING TO THE APEX [TWO STAFFS PASSING THROUGH THE VULVA
IN COMMUNION OF LOVE FORMING ONE HEART]
THE SACRED FLAME OF LIFE AS A BLOSSOMED FLOWER [SYNTHESIS]
ABOVE THE SIGN OF INFINITI AT THE VERY TOP
.1204. THE MUŠ HOMILY. AVAG
MONASTERY [ERZNKA] CALLIGRAPHY BY VARDAN KARNEC‛I
MANUSCRIPT ILLUMINATION BY STEPHANOS.
MATENADARAN MS NO. 7729. BEAUTIFUL REND. BY K.D.D.

ONE OF THE DECORATED PILLARS IN THE
LIBRARY OF THE SANAHIN MONASTERY.
TWO INTERTWINED VIŠAPS FACING
OPPOSITE DIRECTIONS. THE TWO FORM
A UNION OF VULVA [WOMB] IN THE CENTER.

SACRED SEAL OF DIVINE ĒSSENCE ABOVE PATRIARCHAL KONDAKS
[DECREES AND OFFICIAL LETTERS]. TWO ANGELS ON SIDES FACING EAST AND WEST.

ANCIENT ARMENIAN RUG [CARPET COMES FROM ARMENIAN] KNOTTED
TOGETHER OUT OF GOLD AND BLUE THREADS [CELESTIAL HEAVEN ALONG
WITH THE LUMINARIES] DEPICTING THE EAGLE/SUNBIRD/PHOENIX AND
THE COSMIC SERPENT IN THE SIGN OF INFINITI ABOVE. THE GOLDEN SUN
AND THE SILVER MOON ARE TO THE LEFT [FEMALE PRINCIPLE] AND RIGHT
[MALE PRINCIPLE] RESPECTIVELY. THE TEN STARS [ORIGINAL NUMBER OF
THE ZODIAC] ALONG WITH THE TWELVE CONSTELLATIONS
AS A SUCCESSION OF SPHERES BELOW.

ARMENIAN DRAGON [VISHAP] - PHOENIX CARPET FROM XIVTH CENTURY.
WITHIN SQUARES THAT CONTAIN SIGNIFICANT GEOMETRIC SYMBOLISM
 INCLUDING TWO [ABOVE AND BELOW] UNITED OCTAGONS.
NOTE THE BLACK AND WHITE  'GAMMA' RAYS ARRANGED IN
RIGHT AND LEFT -- OPPOSING YET UNITED -- MOTION.

ALCHEMICAL ZODIAC WHEEL SHOWING THE EVOLUTION OF MAN.
12 HOUSES AROUND THE SUN AND THE MOON.
NOTE THE CROSS IN THE CENTER SYMBOLIC OF A MAN WITH STRETCHED
OUT OUTWARD [EXPANSION OF CONSCIOUSNESS] ARMS.
THE VIŠAP [INITIAL REPTILIAN STAGE OF MAN -- INITIAL
INWARD [UNCONSCIOUS] FETUS STILL RESEMBLING THE ARCHAIC FORM
STANDS FOR THE EVER EVOLVING
ORGANISM THAT BECOMES MORE SOPHISTICATED AND ADVANCED
IN ITS OVERALL UNDERSTANDING -- MAN AND BEYOND
CONTRARY TO WHAT MANY BELIEVE -- THE CONCEPT OF EVOLUTION
DID NOT BEGIN WITH CHARLES DARWIN BUT IS A AGE-OLD
TRADITION OF THE PERENNIAL SCHOOL.

MACROPROSOPVS AND THE COSMIC HIERARCHY
AND THE FALSE TSUR HAYELI [DISTORTED MIRROR]
TOPSY TURVY [LOWER SELF]
SHADOW/REFLECTION [MICROPROSOPVS] OF TRUE
HIGHER SELF/GOD.
WITHIN THE COSMIC OCEAN/VOID.
ALL WITHIN THE VISHAP OF ETERNITY.

The three main constituents of atoms – protons, electrons and neutrons – the triplet-codon templates of the genetic code, the three pin plug, two opposing teams and a neutral referee, the three primary colors of the spectrum of light, the tripart social and political arenas, two chemical compounds and an intermediary catalyst – all of these trinities exist and interact as a direct result of the three fundamental forces described by the first law of nature.

AN ELEVENTH CENTURY ARMENIAN MANUSCRIPT
DEPICTING THE CHRONICLER'S INSPIRATION
BY GOD THE FATHER SYMBOLICALLY
REPRESENTED BY THE UPWARD POINTING TRIANGLE.

CHRIST THE REDEEMER HOLDING THE SYMBOL OF THE TRINITY.
GIOVANNI GIAMPIETRINO [CA. 1500-40, ACTIVE BETWEEN 1520-40,
HIGH RENAISSANCE, LOMBARD SCHOOL, MILAN].

PARTHASARATHI. THE PARALLEL OF JOHN THE BAPTIST
THE ANOINTER OF BUDDHA/KRIŠNA/CHRIST. NOTE THE
SAME HAND SIGN [POINTING UPWARD...THE SACRED CIRCLE WITH AN INNER
CIRCLE IS TO THE RIGHT...PRIMORDIAL ○○ EMPTINESS/VOID]
AS THAT OF THE BAPTIST...

ANCIENT ENGRAVING OF THE HOLY TRINITY WITH
GOD THE FATHER REIGNING SUPREME.
REPRESENTED WITH AN UPWARD POINTING TRIANGLE
AND AN AURA OF ILLUMINATION. ALL WITHIN ONE CIRCLE.
THE MAN FACING WEST IS OLD [SUNSET -- PAST]
AND THE MAN FACING EAST IS YOUNG [SUNRISE -- FUTURE]. NOTE THE
DIVINE ORB OF POWER WITH TWO UNITED Ēs [SEVENTH SACRED LETTER]
FACING RIGHT AND LEFT [BOTH CELESTIAL AND TERRESTRIAL POWER]
WITH THE RIGHT HAND HE MAKES THE BLESSED SIGN OF ST. JOHN THE BAPTIST
[THE HEALER AND THE HERALD OF THE SAVIOR]. THE CENTER BROCHE IS SYMBOLIC
OF THE CIRCLE AND THE DOT WITHIN...THE ON-E.

THE THOUSAND-FACED BRAHMA [360º RADIUS VECTOR] AND SURASWATI

Whenever and wherever something is created, these three forces will inevitably be there. Thus the Christ Child of the Holy Trinity is the intermediary-reconciler of the two opposites [male-female-child or thesis-antithesis-synthesis].

O   R   I   A   N   A

HORIZONTAL 8 INFINITI TWO SPINNING RINGS
OPPOSITE YET UNITED INTO ONE.
BRONZE MEDALLION FROM LCHASHEN.
SECOND MILLENNIUM BC.

V I Š A P HATCHING OUT OF THE WOMB/COSMIC EGG.
REPRESENTED BY TWO 8-ESQUE RINGS.

THE COSMIC EGG IN THE TANTRIC WISDOM [CENTER] AS THE ETERNAL
FEMININE PRINCIPLE. TWO PARALLEL VERTICAL LINES FLANKING THE
EGG STAND FOR THE ETERNAL MALE PRINCIPLE.

VISHNU [VISH-VISHAP-FISH] AND LAKSHMI FLOATING ON A RAFT OF SEVEN SERPENTS
[DIVINE WISDOM]. ABOVE THE COSMIC WATERS [QUANTUM OCEAN OF LIFE] IS THE
LIFE-GIVING THOUSAND-FACED BRAHMA [VAHRAM-RAMA-RAM-ARAM-ARA-MAR --
THE CREATOR] THE UNFOLDED BLOSSOMING LOTUS IS A SYMBOL OF FERTILITY AND LIFE.

FUSION AND DIFFUSION

TELLURIC WAVES OF CONSCIOUSNESS

The Epic of Gilgamesh [written down on the clay tablets circa 2,000 BC, but the events describe much earlier period somewhere around 2,700 BC] focuses on the journey of Gilgamesh, King of Uruk, to the land of his ancestors and the Holy Mountain Mashu [Masion or Masis] -- the Holy Cosmic Mountain that serves as a connecting point of finite with -- the Infinite...a portal to Eternity. The Sumerians note that the their ancestors the Arattans - from AR-AR-AT. AR-AR [Ararich -- the Creator] being a plural form or the Supreme God. According to the Sumerian inscriptions, the Arratan ancestors established a divine Kingdom and civilization, and ultimately carried it to the four corners of the world -- including among others the Sumerian cities of Ur [in Sumerian Ur or AR.A literally means Shining/Bright/Light the Solar Deity in the Armenian Pantheon carries that name] and Uruk. The inscriptions also tell us that the Arattans were outstanding horsemen -- the tradition of the Armenian warrior horsemen [the Ayrudzi] would continue down the many millennia, distinguishing itself in the battlefields throughout the centuries, from the Kingdom of Ararat, to the wars with the Achemenids, Parthians, Romans, Persians, Byzantines, the Turks and onward.
 

A METSAMOR [LIT. GREAT MOTHER'S -- UNDOUBTEDLY SHOWING THE CONNECTION
WITH PRIMORDIAL GODDESS AYA -- WHO GAVE BIRTH TO THE UNIVERSE]
SACRED INSCRIPTION WITH THE HIEROGLYPHIC
MARKING OF THE UNMANIFEST  DIVINE ESSENCE OF ALL LIFE --
THE SOURCE MANIFESTS THROUGH THE TRIUNE
COSMIC MOUNTAIN-HIERARCHY -- IN THE UPPER LEFT THE CRUX-AXIS OF
THE FOUR-FOLD PATH -- REPRESENTATIVE OF THE FOUR ELEMENTS, FOUR WINDS,
FOUR CORNERS OF THE WORLD FOUR CARDINAL POINTS, FOUR SEASONS ETC.

THE VERTICAL-HORIZONTAL COSMIC AXIS
ALPHA AND OMEGA...THE BEGINNING AND THE END.

EYE [EA-[H]AYA] IN THE SKY.
ENGRAVING FROM AN ANCIENT ALCHEMICAL TEXT. Q U O  M O D O  D E U M
[...THIS IS THE WAY OF GOD...] RETURN TO FATHER [EAC‛UM].

GEOMETRICAL STUDIES WITH SKETCHES OF A WOMAN'S EYE AND HAIR RINGLET...
...AND THE PLAN OF A NEW MEDICI PALACE IN FLORENCE BY 'THE MAN WHO SAW
THE LIGHT IN THE DARKNESS...' -- LEONARDO DA VINCI. CA. 1515 [DETAIL].
 

THE ROYAL SEAL OF AR-MAN MIT[R]ANNI KING
SAUŠŠATAR [CA. 1440 BC].
THE WINGED SUN-DISK E Y E-EA-H-AYA. HAYATSK [VISION], HAYELI [MIRROR]
AYTAHAYTUM -- MANIFESTATION...INVISIBLE BECOMING VISIBLE...
...FROM DARKNESS TOWARDS THE LIGHT...
T H E     P H O E N I X    R E B O R N
A F T E R   T H E   E C L I P S E...FROM THE VOID OF THE BLACK SUN...
WINGED SERPENT PASSING THROUGH THE CIRLCE...

2 PAIRS OF LIONS AND EAGLES [SOL. SYMB.] ON THE RIGHT AND LEFT OF
FACING THE EIGHT POINTED SOLAR STAR SURROUNDED BY A CIRCLE.
THE TREE OF LIFE/AXIS MUNDI STEMMING FROM THE COSMIC
ORDER/HIERARCHY/TRIANGLE.
THE SERPENT/VIŠAP UNITES WITH THE PHOENIX/EAGLE.  F I N A L  S T A T E.

R  E  T  U  R  N    T  O     W  H  O  L  E  N  E  S  S

NYU-VA AND FU-SI PRIMORDIAL
COUPLE IN THE CELESTIAL HEAVENS
WITH SYMBOLIC SUN-MOON LUMINARIES...
THE ARMANI-ATLANTEAN KINGS OF GUDEA
USED THE ARCHAIC SYMBOL OF
INTERWOVEN SNAKES OF THE WISDOM TEMPLE.

ALLEGORICAL DRAWING BY DA VINCI WITH THE FOLLOWING
EXPLANATION: '...Pleasure and Pain are represented as twins,
as though they were joined together, for there is never the one
without the other; They are made growing out of the same trunk
[Tree of Life...G.N.], because they have one and the same foundation
[Source... G.N.] , for the foundation
of Pleasure is labor with Pain, and the foundations of Pain are vain
and lascivious Pleasures. And, accordingly, it is represented here with
a reed in the right hand, which is useless and without strength, and
the wounds made with it are poisoned...'

The 52 (51.827) degree angle slope of the sides of The Great Pyramid embodies the Golden Mean which is the ratio that is used in Nature to generate growth patterns in space. Sacred Geometry studies such primal systems which reveal the Unity of the Cosmos by representing the relationships between numbers geometrically. The Vesica Piscis [Fish-Vish-ap Synthesis] is one of the most fundamental geometrical forms of this ancient discipline and it reveals the relationship between the The Great Pyramid and the 2 dimensional expansion of a circle of one unit radius R.

THE VULVA [WOMB] OF DARK MATTER [MOTHER] BINARY KOSMIK MATRIX

PYRAMID OF SNEFRU. NOTE THE 7 STEPS LEADING TO APEX/PERFECTION.
A CHAMBER ON THE GROUND LEVEL LEADS TO THE SUBTERRANEAN SARCOPHAGUS
CHAMBER OF ASTRONOMICAL OBSERVATORY ALIGNED WITH TRUE NORTH.
THE STEP PYRAMID WAS ERECTED ON THE ASTROLOGICAL ZIGGURAT MODEL OF SUMER.

The Armenid Sumerians' primary deity was the amphibious God EA-HAYA [the name Hay -- pronounced HIGH, the name that the Armenian people call themselves after their deity of the Divine Essence, it is interesting to note here that the only ancient people, besides the Armenians, that called Armenians -- Hay[asa], were the Hittites, it is highly probable that the Indo-European Hittites were also Armenian in origin], the God of Wisdom with the appearance of a half-man half-fish [fish considered the symbol of the primordial union of the Mother-Father duality [E Y E - A Y [AYTS] AND V I S H -AP- F I S H UNITED -- TERRESTRIAL + CELESTIAL U N I O N -- STAR OF VISH-NU] - initially, during the matriarchal -- hunters and gatherers -- era HAYA-Eye [Enki] was a female principle -- AYA - the Mother Goddess and around 3,000 BC with the coming of the patriarchal era transforming into a male deity -- the All-Father]. This is story of a mysterious old Man who came out of the sea found the world over -- including in such distance lands as that of Maya -- where he is known as the feathered serpent God [riding on a raft of serpents] KukulkAN [roughly similar to Quetzalcoatl of the Aztecs]." Edward Walter Maunder noted that "the ancients had a very considerable knowledge of astronomy, and there can be little

ANAHIT MOTHER GODDESS SYMBOLICALLY DEPICTED AS A
SALT [ASSOCIATED WITH WATER/SPIRIT] VESSEL.
THE SOLAR [MASCULINE PRINCIPLE WITHIN FEMININE]
DEPICTED AS 7 SPOKES SPINNING TO THE RIGHT AND
7 SPINNING TO THE LEFT AROUND THE VOID/BLACK HOLE.
OPENING IS PLACED ON THE NAVEL
[SACRED FEMININE SEAT OF SEXUAL POWER]
SUN...RISING AND SETTING FROM PRIMORDIAL WATERS.
SUN-ARMENIAN SALT [PHILOSOPHER'S STONE--AYA DIVINE WISDOM]

THE ARMENIAN PRIMORDIAL SALT VESSELS WERE COMMON THROUGHOUT
THE HOLY OJAKH-HEARTHS OF ARMAN FOLK COMMUNITIES.
MANY OF THE SALT VESSELS [PARALLEL TO THE CHALICE]
WERE ALSO DECORATED WITH VISHAPS [SERPENTINE DRAGONS],
TREE OF LIFE, SUN, TRIANGLE OR COW'S HEAD -- ALL CONNOTING
THE MOTHER GODDESS CREATRIX'S AS MOTHER EARTH, LIFE, QUEEN OF HEAVEN,
TSOVAMAYR [MOTHER OF THE SEA].

SPLITTING GODDESS [MITOSIS...] LESSER ARMENIA,
SECOND MILLENNIUM BC. NOTE THE SUN-EYES/HYDROGEN ATOM
HUR + JUR [FIRE + WATER]...NOTE THE TWO DIVERGING TRIANGLES
[HEAVEN EARTH UNION]. THE TRIANGLE BELOW IS TRUNCATED
[TRAPEZOIDAL] AND THE TRIANGLE FROM ABOVE PENETRATES [UNIO CORPORALIS...
ARCHETYPE OF HOLY WEDDING] UNITING ALCHEMICALLY SPEAKING
ANIMA MUNDI WITH UNUS MUNDUS  [NOTE 3 ALIGNED AS CAPUT
MORTUM]. FOUR EYES AND 14 ON BODY
OF SUN EYES/ATOMS...BRINGING THE TOTAL TO 18...
 

AYA [EYE] GODDESS NAMMU
...SHE WHO ETERNALLY WATCHES AND SEES ALL...
TELL BRAK TEMPLE OF EA-HAYA.
THE EXPRESSIVE EYES [WINDOWS TO THE SOUL]
WERE THE BEAUTIFUL TRADEMARK FEATURE OF ARMENS.
TWO CIRCLES UNITE...TO FORM HORIZONTAL 8 [INFINITI].
SYMBOLIC OF SPLITTING MITOSES/LIFE FROM ONE SOURCE.

PRIMORDIAL ARMANI EYE I-DOL[L]S. THE CREATRIX A Y A GODDESS WITH EXPRESSIVE
EYES. THE SYMBOL OF DILMUN-PARADISE-GARDEN OF EDEN OF THE FOUR
SACRED RIVERS NOURISHING THE FERTILE CRESCENT IN THE FORM OF
THE COSMIC TWIN MOUNTAIN MAŠU [MASI-ON] MOUNTAIN IN A FORM OF 'M'.
THE TWO EYES ARE IN THE FORM OF ∞ HORIZONTAL [ETERNITY]
VERTICAL '8' IS THE ARMANI SYMBOL OF HUMAN WITH THE DIVINE SPARK WITHIN.

SOME OF THE SURVIVING STATUES SHOW AYA AS
GODDESS THAT GIVES BIRTH TO TWINS
[ONE BECOMES TWO, BECOMES FOUR...BECOMES 8
TO RETURN TO THE ONE] THAT ARE
EXTERNALLY DEPICTED ON HER STOMACH.

I   N   D   I   G   O      C   H   I   L   D   R   E   N

ARCHETYPICAL ARMANI BEAUTY. SYMBOL OF THE EYE GODDESS.
'MODERN' RENDITION. ETERNITY MANIFESTATED.
ARMENIAN GIRL OF SYUNIK [ZANGEZUR]. HRIPSIMĒ SIMONEAN. 1967.
 

doubt that the Chaldeans - to whom the invention of the Saros, or eighteen years eclipse cycle, is supposed to be due - had a fairly clear idea as to the cause of solar eclipses. And, therefore, as they were able, to a certain extent, also to predict their occurrence, the great overwhelming terror which the ignorant felt cannot have been shared by them to the same extent. Their minds will have been free to receive the impressions which the details of the eclipse would create. And what would those impressions have been? We must remember that they worshipped the sun, moon, and planets. We are not to suppose that in doing so the more thoughtful conceived that the actual material sun, which they beheld, was itself  the intrinsic Deity.

G A I A  [ A  Y  A -- PRIMORDIAL GODDESS OF   D  I V  I  N  E    W  I  S  D  O  M ]
M [ A [R] Y A -- M A R I A -- A R Y A]  --  M A Y R -- M O T H E R - M A T [T] E R
FEMININE MAR[A]-VIŠAP [WATER] RETROGRADE OF ARAM [FIRE]
-- MALE PRINCIPLE -- TWO HALVES OF THE WHOLE/ALL/ONE
NOTE THE TWO LEOPARDS TO THE RIGHT AND LEFT [SAME MOTIF OF
ÇATAL HÜYÜK [[SEE PREVIOUS PAGE]] AND CERES/SYBIL --
THE GREAT MOTHER [SEE BELOW]. NOTE THE PRIMORDIAL FISH
[COSMIC WATERS/OCEAN OF LIFE/ETERNAL FEMALE PRINCIPLE.
THE WAVY ARMS, THE HAIR AND THE DRESS ARE ALLEGORICAL
SYMBOLS OF THE AQUATIC NATURE OF THE GODDESS.
THE HEAD IS EMBLEMATIC OF THE HEART...THE DIVINE LOVE OF THE GODDESS.
THE SYMBOLISM ALSO INCLUDES THE HEAD OF THE CELESTIAL BULL
AND THE PELICANS. COSMIC WHEELS AND THE SWIRLING TAILS OF
THE LEOPARDS SPINNING RIGHT AND LEFT STAND FOR SPIRALING MOTION
IN TWO OPPOSITE [YET COMPLIMENTARY] DIRECTIONS.

T H E   D I A M O N D   O F   S P I R I T U A L   P E R F E C T I O N
DIVINE UNION. GREAT WORK BY BRILLIANT MATHEMATICIAN --
K A R E K I N    D I C K R A N.
ISOSCELES PYRAMIDS INCLUDING PLAN FOR ISOSCELES TETRAHEDRON.
EQUILATERAL PYRAMID PLAN FOR EQUILATERAL TETRAHEDRON.
ENCOMPASSING THE BASIS FOR INFINITE ARRAY OF
2D AND 3D MANIFESTED FORMS OF THE UNMANIFEST IDEAL [EIDOS].
FINITE AND THE INFINITE. ALL IN ALL
CAN BE DIVIDED OR ADDED INTO A MACROCOSM [ABSOLUTE]
WITHOUT THE LOSS OF  I N I T I A L  F O R M.

D I V I N E   A R T.  M A T R I X   N E T   B Y  K. D I C K R A N

F O R M  R E A L I Z A T I O N  O F  T H E  E I D O S / I D E A L
OF THE ABOVE COSMIC MATRIX
TERRESTRIAL MIRROR
35TH COURSE AXIS OF THE GREAT PYRAMID

THE VESICA PISCES:
A THROUGH G
[SEE THE GREAT PYRAMID VULVA ABOVE]
TWO CIRCLES SHARE A COMMON RADIUS [AB]
RADIUS AB = 1
THE INTERSECTING CIRCLES CREATE VESICA PISCES.
THE MINOR AXIS OF THIS VESICA PISCES [AB] = 1,
THE MAJOR AXIS [CD] = THE SQUARE ROOT OF THREE, 1.732

CB = AB = 1
THEREFORE:
a² + b² = c²
.5² + x² = 1²
x² = .75
2 = .75
x = .8660 = CE
CE is 1/2 of the major axis CD
2 CE = CD
.8660 * 2 = CD
CD = 1.7320 = 3

ONE OF THE GREAT SEALS OF
THE  WISDOM  TEMPLE

The untaught and thoughtless may indeed have done so, but to  the cultured there can be little doubt that the sun was regarded partly as a symbol, partly as a manifestation of the unseen, unapproachable Divinity. Its light and heat, its power of calling into active exercise the mysterious forces of germination and  ripening, the universality of its influence, all seemed to fit the expressions of the yet greater powers which belonged to the Invisible. What happened in a total solar eclipse? For a short time that which seemed so perfect a divine symbol was completely hidden. The light and heat, the two great  forms of solar energy, were withdrawn, but something took their place.

IN EARLY SPRING, WHEN THE SUN RISES
JUST HIGH ENOUGH ABOVE THE APEX OF
THE GREAT PYRAMID, THE WHOLE SHADOW
ON THE NORTH FACE VANISHES
AT THE STROKE OF NOON.

COSMIC AXIS

A mysterious  light of mysterious form, unlike any other single form, was seen in its place. Could they fail to see in this a closer, a more intimate revelation, a more exalted symbolism of the Divine Nature and Presence? Just as in the various Greek mysteries the student was gradually advanced from one set of symbols to another even more abstruse and esoteric. So here, on the broad face of heaven itself, vouchsafed for a brief space of time and at long intervals apart, the Deity revealed Himself to the initiated by a higher and more difficult symbol than ordinarily."

HIGH PRIEST CLUTCHES A SERPENT
[WAVY KNOT DENOTES ITS AQUARIAN ORIGIN]
WHILE WEARING AND HOLDING DOUBLE AMULETS OF PROTECTION
WITH THE SIGN OF INFINITI. THE PRIEST'S CEREMONIAL ROBE
PATTERN IS IN VERTICAL LINES [MASCULINE] AND THE POSITION OF
ARMS IS WAVE-LIKE [FEMININE]. NOTE THE CHECKERED BELT AND LEG ALIGNMENT.

[K]HALDEAN
DEPICTION OF
Ē A - H A Y A
KULULLU [PARALLEL OF KUKULKAN IN MESOAMERICA!]
OR FISH-MAN -- A FORM OF
THE GOD EA, ENKI, A'A OR OANNES,
THE HURRIAN [FIRE] BRINGER OF CIVILIZATION.
AMAZINGLY THE SONG OF KULULLU IS STILL
THOUGHT AND SUNG BY
ARMENIAN CHILDREN --
AS THE GOOD WISE UNCLE WHO COMES WITH
A SACRED VESSEL. THE PRIMORDIAL ARMENIC [A-RAM] SONG
ENDS WITH RECITING/CHANTING THE NAME KULULLU THREE TIMES..

.

MATER DEOR. A  Y  A  THE GREAT MOTHER [DARK MATTER]
THE POTENTIAL WOMB [BLACK HOLE] OUT OF WHICH
EMERGES THE EVENT HORIZON [REALIZATION OF TIME-SPACE].
REMEMBER THE DEPICTION OF A Y A [SEATED BETWEEN TWO LEOPARDS]
IN ONE OF THE EARLIEST SCULPTURES DATED TO 6,000 BC AT ÇATAL HÜYÜK
THE TRADITION WAS CONTINUED IN AN UNBROKEN LINK
FOR MANY MILLENNIA TO COME.
NOTE THE SACRED MITRE [LAT. MITRA FROM THE ARMENIAN SOLAR SUN GOD
MITHRA] ON THE GODDESS HEAD AND TWO UNITED LILY'S FACING
RIGHT AND LEFT CONTAINING LIGHTNING ARROWS/RODS.



VIRTUALLY IDENTICAL SYMBOLISM. ARMENIC-SUMERIAN GODDESS
I N A N N A [LATER ANAHIT -- THE EVOLVED FORM OF PRIMORDIAL AYA...].
NOTE THE HORNED CROWN,  WINGS AND TALONS OF DIVINITY.
HOLDING TWO RINGS AND MAGICK WANDS IN EACH HAND.
ON TOP TWO LIONS. FLANKED BY TWO NOCTURNAL [FEMALE PRINC.] OWLS OF
WISDOM [LIGHT WITHIN [[SEEING DURING]] DARKNESS]

TWO CHALDEAN [HALD-EAN] PRIESTS OF ĒA-HAYA
AND THE KING DRAW ENERGY AND INSPIRATION FROM
THE RADIANT DIVINE EYE [AY-A -- EA] -- THE WINGED
SUN DISK IN THE FORM OF AN EYE/WINGED SUNBIRD.
THE TREE OF LIFE BELOW. THE CAPE AND MITRE
WOULD BE PRESERVED BY THE CHURCH PATRIARCHS.
THE EIGHT POINTED STAR AND THE SACRED
BIRD/SPIRIT/DIVINE MESSENGER ON THE LEFT.

THE MAGIC POUCH OF EA-HAYA.
TWO EAGLES FACING OPPOSITE DIRECTIONS
CONNECTED BY THE ARCH-HANDLE. NOTE THE
KNOTTED SWASTIKA PATTERN [GREAT WORK -- FUSION].
ARK-ARCH-ARCHETYPE-ARCHAIC-ARCHITECTURE-ARCHIVE-
ARGO-AR-KA

ARMENIAN ENGRAVING FROM THE MIDDLE AGES
NOTE THE PATRIARCHAL MITRE [MITHRAS] THAT CONTINUED THE
TRADITIONS OF THE HIGH PRIESTS OF EA-HAYA [GOD THE FATHER]

THE INITIAL I [11TH LETTER OF THE ALPHABET] OF THE BOOK OF GENESIS
PRINTED IN VENICE IN 1733 BY MEKHITARIST FATHERS. DEPICTING
THE MATERIALIZATION OF THE UNIVERSE BY THE CREATOR -- ONE SPIRIT --
THE INITIAL VISION [I D E A] BECOMING A MANIFEST REALITY --
DESCENDING INTO MATTER [DOWNWARD POINTING TRIANGLE]
TWO ADJOINING ANGELS ON THE RIGHT AND LEFT.

ARMENIAN ASTRONOMICAL MAP FROM THE XVIIITH CENTURY DEPICTING
THE UNIVERSAL ORDER [INCLUDING PLANETS AND CONSTELLATIONS]
WITH A HORIZONTAL 8 [TWO UNITED RINGS OF INFINITI] AND THE  UPWARD
POINTING TRIANGLE OF  THE CREATOR IN THE CENTER

AN ENGRAVING OF AN ASTRONOMER STANDING ON
TWO SUPPORTING SPHERES REACHING FOR THE STARS


THE RENOWNED FLAMMARION WOODCUT ATTRIBUTED TO MIDDLE AGES.
WHEEL WITHIN WHEEL...UNVEILING [STARGATE] OF THE UNIVERSE...
THE PILGRIM [TRAVELER] ACCOMPLISHES TRANSCENDENCE 
THROUGH/FROM THE JOURNEY OF TIME....

THE HEAVEN AND EARTH UNITE IN UPWARD AND
DOWNWARD POINTING TRIANGLES. THIS 8-ESQUE ANCIENT ARMENIAN
SYMBOL STANDS FOR MAN IN HARMONY WITH THE UNIVERSE
[ MICROCOSM+MACROCOSM AS = O N E ].
TWO OUTWARD RINGS OF FORMLESS CHAOS ARE WITHOUT.

ARMANI POTS FROM SECOND MILLENNIUM BC DECORATED WITH HEAVEN + EARTH
UNION. COSMIC MOUNTAIN AND THE UNIVERSAL MATRIX IN A CHECKERED MIX.

...MATERIAL -- IDEAL... RATIONAL -- IRRATIONAL... FINITE -- INFINITE...

M W. DIVINE UNION MANIFESTED THROUGH DUAL ISOSCELES. K D.

BABYLONIAN MAP FROM FIFTH CENTURY BC
SHOWING THE DIRECTIONS TO  A R - M A N - I A
T  H  E     S  A  C  R  E  D     H  I  G  H  L  A  N  D

ARMENIC ZODIAC SHOWING THE OVERLAP OF
THE CIRCUIT OF THE EARTH'S CELESTIAL POLE
AROUND THE POLE OF THE ECLIPTIC,
INDICATING DIFFERENT DATES IN THE PAST.

The Fish Man Oannes [Ocean - ABSU - the Beginning... the formless Chaos] would later transform into John [Oan] the Baptist ushering in the Blazing Star -- the Christ-Sun [Hor[us] Child -- Khris is the Orb of the Sun and Krishna is also the Sun Deity in the Indian Pantheon- Hayr means Father [compare with Greek HAR-acles or Hercules, also Aur[a] and ARoeris or HAR-oeris -- the elder HORus -- the hieroglyphic symbol of the Elder being a pair of Eyes -- also Khur-OM -- same as Her-Ra -- HERMES and HER-acles -- embodiment of Light - the Savior and the Redeemer] in Armenian, compare with [K]hur - Fire and literal name of the Sun, also -- [k]Haruyk --bonfire or [k]Harkats - burnt -- Genesius renders the word [k]hurum as Noble and Free Born -- it also means an opening of a window [Loys -- Light] and the socket of the Eye --

ANCIENT ARMENIAN PATRIARCHAL SEAL
IN THE SHAPE OF AN EYE [AY-A] THE WOMB
OF THE GREAT MOTHER [MATTER]
IN THE LEFT HAND A STAFF WITH AN
EQUILATERAL CROSS ON TOP WITH AN
Ē-ESQUE [SEVENTH SACRED LETTER] CIPHER
IN THE CENTER HEART POINTING TOWARDS THE HEAD.

OLD ENGRAVING OF GOD THE FATHER PERMEATING THROUGH  A L L.
THE SUN, THE MOON AND THE 12 CONSTELLATIONS OF THE ZODIAC.

THE ZODIAC WHEEL OF ARMENIAN SEERS UNITED INTO ONE
BY DIMETER, TRIGON, QUADRATE AND HEXAGON.

SEVEN AGES [HOUSES] OF THE DUODECIMAL ARMAN ZODIAC

10000 - 8000 BC: AGE OF LEO
8000 - 6000 BC: AGE OF CANCER
6000 - 4000 BC: AGE OF GEMINI
4000 - 2000 BC: AGE OF TAURUS
2000 - 1 BC: AGE OF ARIES
1 - 2000 AD: AGE OF PISCES
2000 AD ONWARD: A G E   O F   A Q U A R I U S

WM
604=10=DECADE
RETURN TO THE SOURCE

compare with K[h]urm -- the name of the ancient [K]Haldean caste of Armenian pagan priests which means consecrated or devoted to the Sun -- the sacred chant of Ē - Ē U T' I W N of the Orion seers metamorphosed the electronic energy of the Life Force from the solar plexus [10] --eight thoracic vertebra-- into the mind-crown [1000]...the pineal within the brain...the Sun -- within] principle [the Fiery Sun eternally Rising and Setting from the Ocean of Life -- the male principle born from [[the initial Cosmic Chaos]] terrestrial Mary [1080 or  8x8= 64 -- addition of 1 through 64 =2080 -- female principle] -- Vishap [Vish-Fish] --
6<-0->4  [PERFECT 10-SOURCE SPLIT INTO 4 AND 6. Ancient geometry begins with One [ 1 ], while modern mathematics and geometry begin with Zero [ 0 ] ... The human body has 46 chromosomes [woven 8s...DNA-RNA dialogue -- the molecular information system governing life and Evolution - is transmitted by 64 -- 8x8 codons] which are paired, in somatic cells. Generative cells have half this number -- 23, which is the number of chromosomes each parents gives to human deoxyribonucleic acid...the checkered black and white chess board...the baptismal octagonal font of holiness, the eightfold path of Buddhism. Nikolai Tesla invented the alternating current generator which unleashed the modern technological revolution after a series of visions in which, among other things, Tesla saw that everything in the universe obeys a law of Octaves.

 

THE EYE GIVES ACCESS TO SPACE, THAT IS TO SAY VOLUME, AND
THEREFORE TO MEASURE. IN EGYPT, THE SECTIONS OF THE EYE ARE
THE GLYPHS FOR THE FRACTIONS 1/2 TO 1/64. THE PARTS TOTAL
63/64. THE SUM OF SUCCESSIVE DIVISION WILL ALWAYS FALL SHORT OF
UNITY EXCEPT AT INFINITY, WHICH IS PERFECTLY CONSONANT WITH
THE ETERNAL LAW: ONLY THE ABSOLUTE IS  O  N  E.

SEVEN CHAKRAS OF VEDIC WISDOM. THE KUNDALINI [SHUSHUMA] FORCE
MANIFESTED THROUGH TWO INTERTWINED [HERMETIC] SERPENTS
LEADING TO SPIRITUAL ENLIGHTENMENT IN THE GODHEAD [AJNA AND SAHASRARA].

THE DIAMOND OF THE SEVEN RAYS [MIRRORED] OF PERFECTION.
EVOLUTION AND INVOLUTION FROM ONE SOURCE. DIFFUSION
OF ONE [SINGULARITY] INTO MANY [PLURALITY]...ONLY TO
R E T U R N   T O   T H E  O N E.

HOR AREV. SUN... SEEN AND UNSEEN.

DIVINE SPARK WITHIN THE HUMAN BEING. SPIRITUAL EVOLUTION.
A Y A- INNANA - ANAHIT - VENUS-SOPHIA...DIVINE LOVE.

 Dragon -- Astghik-Dergeto -- united with the celestial [Star of VISHnu] -- Sun -- male principle -- the ancient symbol of Life and the Generative Power of Solar Energy].

ARMANEN

ORION

The Age of Leo was characterized by Sun worship. Leo symbolism was the use of the Lions. The use of Gold as currency was the norm, and Gold and Lion are unique symbols of the sign Leo and its planetary ruler the Sun. Cults of Great Mother Goddess came up everywhere, especially across Asia minor and the shores of the Mediterranean during the Age of Cancer.

Sun worship gave way to Moon worship. The Sign Cancer is also the sign associated with the Great Mother, the creator of the Universe. This same Mother can be seen manifesting in various ancient cultures: Aya [later Inanna/Nana/Anahit/Nanē] of Arman, Isis [Ay-sis] in Egypt, Rhea in Rome, Spiderwoman of the Hopi, and Shakti of the Vedic scriptures, but they all arose from the early Mother goddess cults of the Age of Cancer.

CRUX ARVATA

AST-ARA

The Age of Gemini brought about the worship of the twin-gods symbolized by the Twin Mountain [of Atlantic civilization and later in Ar-Ar-At -- Mount Masis being but a prominent symbol -- of the Land of Ararad]. The later off-shoot Phoenician, Egyptian, Babylonian, Assyrian and Vedic cultures are testimony to the cult of the Twins [Sanasar and Baghdasar according to the archetypical arcane Cosmic Epic -- The Daredevils of Sasun -- born from Tsovinar -- Creatrix Mother Goddess Quantum Ocean of Life] -- born of the mating of the universal male principle symbolized by the Sun and universal female principle symbolized by Earth and the Moon. Since Gemini is the sign of writing and communication, we find that new languages were discovered and spread in this time. The Armenic Arattans and Shinar-[ar]s [ Sumerians] were the first to have the divine art of writing -- spreading it to all parts of the globe.

O N E     S O U R C E

D I V I N E   Ē S S E N C E   M A N I F E S T E D.  K. D. D.
R E N D I T I O N   O F   A   P R I M O R D I A L   A R M A N   S Y M B O L.

The Egyptian civilization was in the Age of Taurus, we have its real evidence in Egyptian Bull and Earth Mother cults which were part of Egyptian culture and religion at this time. Taurus is the sign ruling over the desire nature on Earth symbolized by the Bull. Taurus also presides over the gifts of Mother Earth to its inhabitants.

PRECESSION OF VOSKE AREGAK [GOLDEN SUN]
THROUGH THE 12 HOUSES OF THE ZODIAC.
FROM THE UNMANIFEST IDEAL SEV AREGAK [BLACK SUN]

The Age of Aries found in the civilizations, namely the Roman and Greek. The Aryan idea of individualism was the cornerstone for these civilizations. The Greeks worshipped Apollo the Sun God. Sun finds its exaltation in the sign of Aries and thus its worship returned once again. Romans worshipped Mars along with Zeus, as the God of War. Sun worship returned among the Egyptians. Moses took from the Naharin [Mitanni-Orionic Solar] Egyptians Monotheism. Buddha, who had five planets in the Sign Aries at Midheaven in his chart, ushered in a new individualistic belief. Lao Tse, Confucius, and Zoroaster heralded new beliefs along the same lines in ancient China and ancient Persia.

SOME OF THE COUNTLESS SOLAR MEDALLIONS FOUND THROUGHOUT AR-MEN-IA

The Age of Pisces was clearly marked by Jesus. He went against the Old Testament, which emphasized ram and the sacrificial fire. Through his teachings the New Testament was brought about, along with the emblem of fish and baptism by water. The fish is the symbol of the sign Pisces and water is its element. Even on a deep psychological and spiritual level, his teachings and life represent the qualities of the sign Pisces. Jesus was born when the planets Jupiter and Saturn joined in the sign Pisces. This was the Star of Magi [Orion] which the three wise men from the East followed.

SWASTIKA IMPRESSION FROM THE PRIMORDIAL
METAL SMELTING FOUNDRIES OF METSAMOR
FOR EXECUTION OF SOLAR AMULETS.

Virgo, the opposite sign of Pisces, found its symbolism through Virgin Mary, the mother of Jesus. Virgo, as is common knowledge the sign of the Virgin. This Age saw mysticism in poetry, art throughout the world. The Christian mystics and the Sufis were all in to the vibrations of this emotional, all inclusive sign. Exaltation of martyrdom, extreme monasticism, the Dark Ages, the blind belief systems, unquestioned orthodoxy represent some of the dark sides of the Piscean era.

THE GREAT WORK

JRHOS NOR DARASHRJAN. HUR+JUR [MALE+FEMALE] UNION. SPIRITUAL
SOUL LUMINARY MAN [MASCULINE PRINCIPLE WITHIN ETERNAL FEMININE].
AQUARIAN NEW AGE [21.XII.12] OF FIREWATER HARMONIOUS UNION.
[COSMIC SOUL] WATER CLEANSES OUR PHYSICAL BODIES AND THE SOUL-SPIRIT
NERAŠXARH INNER SELF COMES FORTH DURING THE NEW GOLDEN AGE.

The Piscean age started giving way with the advent of scientific thought during the Renaissance, but it still holds the majority of humanity in its grasp through the orthodox religions, blind patriotism, and growing financial inequality. Due to concentration on the lower energies of this sign especially in the last century, the world has virtually become a "market" and "money" has been turned into a "god."

UNION OF OPPOSITES. DIVINE SPARK AT THE SOURCE/CORE.


Aquarius, the sign of Man, will take over. Perhaps somewhere in the early years of the 21st century. An important astrological event which is happening is the conjunction of winter solstice with the Galactic center, which according to Vedic scholars lies at around 6 degrees of the sign, Sagittarius. The timing of the last Great Flood around 10,000 BC coincided with conjunction of summer solstice with the Galactic center. The summer solstice is exactly opposite to the winter solstice...

KRIŠNA NURSED BY DEVAKI. FROM A VEDIC SACRED TEXT. NOTE THE
HALOS ON THE HEADS [AURA OF SPIRITUAL ENLIGHTENMENT] IN BUDDHISM
MAR-A IS THE ADVERSARY SHADOW [OF THE ONE]  THAT MANIFESTS THE
DARK SIDE OF BUDDHA -- WHO EVENTUALLY OVERCOMES HIMSELF AND
ATTAINS ETERNAL BLISS...ESCAPES THE WHEEL OF SUFFERING
AND ACHIEVES... I   M   M   O   R   T   A   L   L   Y.

V I S H A P A G O R G -- THE ANTIQUE ARMENIAN RUG WITH SERPENTINE
RED-WHITE VISHAPS [VISH-NU-FISH] AROUND THE COSMIC WHEEL. THE RUG IS
VIRTUALLY COMPLETELY COVERED WITH ANCIENT ARMENIAN
COSMIC SYMBOLS. NOTE THE DIVERGENT TRIANGLES AND THE RED-WHITE
LINES BORDERING THE OCTAGRAMIC PATTERN [FROM ONE POINT OF DIFFUSION].

DIVINE HEART OF LIFE. LIGHT AND
MOST OF ALL LOVE THROUGH GRACE.
[LIBERATION FROM SUFFERING].

The symbol of EA [associated with planet Jupiter]-- the Divine Essence, specifically marked in the sacred hieroglyphs of the Metsamor observatory, also represented with the numerical value of 50.
 

A phallic obelisk from Metsamor. Second Millennium B.C.
The phallus is symbolic of fertility and Life
[symbol of Hor Arev - the Solar celestial All-Father]. The upper
end of the obelisk contains carvings of planetary rings
and the swastika [representative of Life and the great Generative Power
-- the visible Life being the manifestation of the unmanifest underlying
Divine Essence -- same as Ē -- the Seventh sacred letter of
the Armenian alphabet -- E also revered by the Delphic oracles as
 the most sacred and divine [second person of the present of the
indicative of the verb ειμι 'you are being' and just like in Armenia,
thousands of years before, was the salutation used by the high priests as they
entered the sacred Temple -- represented with fifth letter E [the Quintessence]
-- pronounced just like the ancient Armenian Ē...
 

A tripod [the 3 legs symbolize the limits of 3-dimenisons and
Time -- the Past, the Present and the Future}
for sacred rituals that held the Eternal Flame
[Transcendental of the human 3-d limit of "Reality"] of the
Ojax [lit. blaze] The word is still used in Armenian for
Home and Family.
For the ancient ancestors --
the visible Fire symbolized the invisible Fire --
the Spirit or the Essence of Light and Life.
As long as the sacred Fire was lit and burnt bright --
the Ojax continued to be a beacon of Life.
From the Moxrablur [Ash Hill] dig. Third Millennium BC.


THE SEPTENARY PLANETARY CYCLE
[WITHOUT URANUS, NEPTUNE AND PLUTO]
 OF THE K‛ARAHUNJ ASTRONOMERS

THE CELESTIAL CROSS OF
ARMAN WISDOM SEERS UNITED IN 4
 S -- NUMERIC VALUE 7 -- CHARACTERS.

THE ANCIENT ARMENIC ASTRONOMICAL
SIGN OF JUPITER [EMPEROR OF PLANETS]
AND THE ESSENTIAL ĒA-HAYA.
THE KNOWLEDGE FROM ARMENIAN HIGHLAND
THE POINT OF DIFFUSION OF CIVILIZATION WOULD BE CARRIED TO FOUR
CORNERS OF THE WORLD -- LATER THE DELPHIC ORACLES
WOULD ALSO USE THE SAME SACRED PATTERN -- USING FOUR Es
[THE DIVINE QUINTESSENCE WITHIN THE MOTION OF BASE ELEMENTS]
AS DID THE VEDIC PRIESTS.

SEVEN SACRED SYMBOLS OF THE SEVEN PLANETS
[CORRESPONDING TO THE SEVEN DAYS OF THE CALENDAR]
USED BY ARMENIAN ALCHEMISTS [MITHRAIC COSMIC SYMBOLS OF THE ANCIENT
MEHIAN WISDOM TEMPLES SUN AS THE 8-ESQUE/INFINITY SIGN [SUNDAY...IN ARM.
KIRAKI...LIT. DAY OF FIRE], MOON [MONDAY OR MOON DAY] AS HORNS/CRESCENT.
TUESDAY [ASSOCIATED WITH MARS...THE RED PLANET]. WEDNESDAY
[ODIN'S OR WOTAN'S DAY] CONNECTED WITH MAN REACHING GOD THE FATHER
ARAMAZD [TIR/HERMES/MERCURY...MARKED WITH HORNS/CROWN.
 [LUSNT'AG JUPITER...FIFTH DAY OF THE WEEK...SWASTIKA/SEVENTH SACRED
 LETTER OF THE ALPHABET... RETURNING TO THE FATHER/SOURCE...].
LUSABER [FRIDAY, DAY OF FREYA/ANAHIT/VENUS]. EREVAK [SATURDAY,
DAY OF SATURN]

AR-MANI  SEAL OF  THE  WISDOM  TEMPLE

THE HOLY SYMBOL OF SPIRITUAL GROWTH
GRADUALLY UNFOLDING THROUGH THE  PATH OF LIFE

THE VERY ANCIENT ARMENIAN SPINNING COSMIC WHEEL OF ETERNITY
TOGETHER IN 4 BLACK + 4 WHITE [NIGHT AND DAY, SHADOW AND LIGHT ETC.]
CRESCENTS [8=INFINITI]. THE REFLECTIVE CRESCENTS [SYMBOLIC OF MOON]
COMBINED FORM THE SOLAR WHEEL [MARRYING MOON AND SUN] AND
AS A WHOLE STAND FOR THE STELLAR [SYNTHESIS] COSMIC MATRIX
 

THE DUODECIMAL ZODIAC SYSTEM OF THE ANCIENT ARMAN SEERS
CONTINUED WELL INTO THE MIDDLE AGES. THE GREAT SEVENTH CENTURY
MATHEMATICIAN ASTROLOGER A. SHIRAKATSI IS ONE SUCH EXAMPLE.
IN A RIGHT AND LEFT SPINNING BOLORAK [LIT. ALL-ENCOMPASSING WHEEL]
SHIRAKATSI PRESENTS THE COSMIC CYCLES, INCLUDING THE PRECISE TIME SPAN OF
 THE NOCTURNAL EMANATION OF LUNAR REFLECTION OF THE BRILLIANT SUN.

BOLORAK SYMBOL OF LIFE AND ETERNITY...
THE ATOMIC FORMATION [VIA – NEUTRON + PROTON]
INTO A HYDROGEN ATOM [R].

THE HOLY ARYAN VEDIC SYMBOL OF THE PAGODAS
THE CIRCLE INDICATES INFINITI. THE BORDER
OF TRIANGLES SIGNIFIES THAT EVERYTHING  IN
NATURE IS SUBJECT TO THE LAWS OF THE TRINITY.

THE GERM. THE WOMB. THE OFFSPRING.
THE SEED. THE EARTH. THE PLANT.
THE FATHER. THE MOTHER. THE CHILD.

THE SERPENT-VIŠAP IS A SYMBOL OF WISDOM AND PERSEVERANCE.
THE SEVEN-KNOTTED SACRED STAFF REPRESENTS THE SEVEN DEGREES
OF POWER OF EVOCATION AND EXTERNAL MANIFESTATION.

THE ARMENIAN ALCHEMICAL SIGN FOR L U S N T' A G [JUPITER]
VERTICAL AND HORIZONTAL 8-ESQUE UNION WITHIN 0[X]
FOUR CIRCLES WITHOUT

JUPITER [JOVIS-IO-U I S] SQUARE
7777

THE NUMBER S E V E N IS THE MOST SIGNIFICANT OF A L L.
THE FIVE MOST IMPORTANT SEVENS FROM THE PERIODIC TABLE:
CARBON = 691 (6+9+1=16=6+1=7)
NITROGEN = 664 (6+6+4=16=7)
OXYGEN = 655 (6+5+5=16=7)
PHOSPHORUS = 997 (9+9+7=25=2+5=7)
SULPHUR = 934 (9+3+4=16=1+6=7)

TWO UNITED Ēs [SEVENTH LETTER] FACING EAST AND WEST
UPON VERTICAL STEM OF SOL + LUNA UNION

FIVE FINGERS OF THE HAND WITH
THE ACCOMPANYING PLANETS FOR EACH
FINGER AND THE S E V E N ESSENTIAL POINTS

LUMINOUS LINE
FREQUENCY VIBRATION

SEVEN RAYS OF COLOR CONNECTED WITH THE SEVEN NOTES OF SOUND.

THE ORIGINAL SIGNS OF ARMAN ASTRONOMERS ORIGINATED IN TEMPLES
NEAR HOLY GROUND OBSERVATORIES
LIKE KARAHUNJ. THE SEVEN ORIGINAL PLANETS.
1. PAYLATSU [MERCURY], 2. ARUSEAK [VENUS], 3. HRAT [MARS],
4. LUSNTAG [JUPITER], 5. EREVAK [SATURN], 6. LUSIN [MOON], 7. AREGAK [SUN].

Jupiter...The Emperor of the Planets...Fifth planet from the Sun... the largest and most massive in the Solar System, having a sidereal period of revolution about the sun of 11.86 years at a mean distance of 777 million kilometers (483 million miles), a mean diameter of approximately 138,000 kilometers (86,000 miles), and a mass approximately 318 times that of Earth...
 

ARARATIAN AMULET. TWO LIONS [WITH TWO SS SPIRALS ONE
TURNING EAST AND THE OTHER WEST] ARE FACING EACH OTHER
IN OPPOSITION -- YET THEY ARE UNITED IN ONE RING.

A N C I E N T   A R M E N I A N   M A N U S C R I P T   O F   A S T R O L O G E R   S E E R.

Metsamor was a very important center of ancient civilization where among astrological observatories and temples were found the first iron smelting refineries. The Metsamor observatory recorded data based on the observation of the Orion belt [including Sirius and Orion - Hayk, also the word Orient -- the Sun rising in the East -- comes from Orion].

R A-M [A R A M - R A M A - M A R A]. [K] H O Y.
S O L A R - S E R P E N T I N E   U  N  I  O  N

T   H   E      S   U   M   E   R   I   A   N      S   O   L   A   R     S   Y   S   T   E   M.
1: AP SU = SUN. 2: MUMMU = MERCURY. 3: LAHAMU = VENUS. 4: KI = EARTH,
THE SEVENTH PLANET AS COUNTED BY NIBIRU COMING INTO OUR SOLAR SYSTEM
FROM BEYOND PLUTO. KI ALSO MEANS 'TO CUT OFF, TO SEVER, TO HOLLOW OUT'.
5: DUGGAE = MOON. 6: LAHMU = MARS. 7: NIBIRU = PLANET OF THE CROSSING,
COMING INTO OUR ORBIT ONCE EVERY 3,600 YEARS. 8: KISHAR = JUPITER. 9: ANSHAR =
SATURN. 10: GAGA = SATELLITE OF SATURN BEFORE IT WAS KNOCKED TO ITS PRESENT
POSITION AS OUR OUTERMOST PLANET WHERE IT BECAME KNOWN AS US MI = PLUTO.
11: ANU = URANUS. 12: E A = NEPTUNE -- 'H E   W H O S E   H O U S E   I S   W A T E R'.

ARATTAN-SUMERIAN ZODIAC.

FIRST AGE CA. 11,000 BC. LEO [THE LION] IN SUMERIAN UR.GULA...AGE OF EA-AYA
PARALLEL TO PTAH AND SEKHMET THE LIONESS GODDESS
SPHINX [LION'S BODY WITH A HUMAN HEAD.
CANCER CA. 8,700 BC. CRAB IN SUMERIAN DUB, MEANING PINCERS.
IN LATER EGYPTIAN DEPICTION AS A BEETLE WITH HUGE PINCERS.
GEMINI, THE TWINS IN SUMERIAN MASH.TAB.TA. [MASHU-MASIS TWIN
COSMIC MOUNTAIN OF ARATTA-DILMUN, MALE+FEMALE].
ENLIL HAD TWINS [FIRST-BORN SON NANNAR [SIN] HAD TWINS,
INANNA [FEMALE] AND UTU [MALE]. BORN AFTER HIS ARRIVAL ON EARTH.
TAURUS [THE BULL] FOLLOWS GEMINI AND WAS KNOWN AS GU.ANNA,
MEANING HEAVENLY BULL [OR COW...]. IN EGYPTIAN HIEROGLYPHS
THE BULL HAS A DISK ON ITS BACK.
ARIES [RAM] IN SUMERIAN KU.MAL LIT. FIELD DWELLER.
FOLLOWED BY PISCES IN SUMERIAN SIM.MAH LIT. FISHES.
REPRESENTED BY TWO FISHES ASTRIDE A WATERY STREAM.
WATER IS SYMBOLIC FOR SPIRIT.
AQUARIUS [THE COMING NEW AGE] IN SUMERIAN GU. THE WATER BEARER.
CAPRICORN FOLLOWS IN SUMERIAN SUHUR.MASH. THE GOAT FISH.
SYMBOL OF THE MOTHER GODDESS NINHARSAG KNOWN AS NIN.MAH
MEANING LADY FISH. IN EGYPT KNOWN AS HATHOR -- THE HOLY COW,
BEARING SIMILARITY TO THE GOAT-FISH. SOMETIMES DEPICTED WITH AN
UMBILICAL CUTTER...ALSO SYMBOL OF NINHARSAG, THE MOTHER GODDESS.
SAGITTARIUS [THE ARCHER IN ARMANI SYMBOLISM DEPICTED WITH
THE FLAMING ARROW THAT SLAYS HIS OWN CARNAL SELF IN
ORDER TO UNITE WITH THE HIGHER SELF]. SAME SYMBOLISM AS IN
THE HIEROGLYPHS AS HALF-ANIMAL AND HALF HUMAN
[HALF MAN HALF HORSE OR HORSEMAN...CAVALIER/KNIGHT] WITH A BOW AND
ARROW. IN SUMERIAN PA.BIL...THE DEFENDER [PARALLEL TO SAINT GEORGE]
GIR.TAB, SCORPIO IN SUMERIAN. IN THE HIEROGLYPHS DEPICTED AS THE SCORPION.
LIBRA [THE SCALES] WAS CALLED ZI.BA.AN.NA IN SUMERIAN, LIT. HEAVENLY FATE
GOD BETWEEN TWO SCALES OF BALANCE.
VIRGO THE VIRGIN IN SUMERIAN AB.SIN DEPICTED AS A BEAUTIFUL MAIDEN,
IN SUMERIAN LIT. MEANT WHOSE FATHER WAS SIN [THE MOON GOD, PARALLEL
OF THOTH].

According to the renowned British scholar Gordon Child, the Armenians of Metsamor kept the secret of Iron [along with other revolutionary breakthroughs in very important fields like mathematics, geometry and astronomy] for nearly half a millennium and would use their iron weapons and horses to dominate most of the Near East and beyond.  The holy name of the God of Ēut'iwn -- Divine Essence [Ē - The One - Oan - On [Egypt] - An -- Na [He/She] and -- An-un--naki [cuneiform inscriptions - gods from heaven to earth]... the Beginning...and the End...the Zenith...the Apex...The world's arguably greatest architectural achievement -- the Great Pyramid -- was built to a design based on archaic knowledge preserved by the astronomer-priests of Heliopolis [The City of the Sun] -- was the crowning glory, not only of Egypt, but of everything that had been secretly kept alive since the age of netjeru-gods, the epoch of the First Time. The precision science, geometry, orientation, stone cutting, hold drilling and architectural planning of the Great Pyramid was the result of a legacy preserved not simply by the wise old priest of Egypt, but by their ancestors -- the Neolithic gods of Eden [Biblical Paradise between the four rivers] in Armenian Highland.

. . . C I R C L E S   W I T H I N  C I R C L E S  W I T H I N  C I R C L E S  W I T H I N . . .

Infinity, the underlying unmanifest controlling the manifest], later symbolically represented with the 7th [the seven visible luminaries of the time -- the Sun, the Moon and the 5 planets, also the quarter moon period of the lunar month [28 days] and the "seventh day moon" - the symbolic pattern of 7 prevalent throughout the Metsamor inscriptions increases in doubles thus 7 - 14 - 28 - 56 -- 2 lunar months - 364 days -- 12 [union of monad and dyad -- unity and duality -- total containing sacred 3, 5,  7 and 9 or = 3x3 = 9+3=12 -- this forms the basis of the ancient Armenian duodecimal philosophy employed by the seers and astrologers of Metsamor] months in the solar year and 13 months [30 and 31 days in the solar] in the lunar also adding to 364 -- 360.72 +5 via Ram constellation of Metsamor records = 365 days.

A G N I -- THE FIERY GODDESS [OGON OR AGON IN SLAV.
FIRE, AKN IN ARMEN.-- EYE -- OCH -- EYE. FACING EAST AND WEST
RIDES ON RAM[A]-ARAM- [RETROGRADE -- MARA
THE SHADOW OF ONE GOD]. UNITED BY DIVINE
PYRAMIDAL CROWN. NOTE THE LEG ALIGNMENT AND
THE SEVEN HANDS OF GODHOOD

The Metsamor solar-lunar calendar being far ahead of the Egyptian and Babylonian astral calendars of the period] sacred letter of the original 36 [full circle] character Armenian Alphabet   --  -- pronounced similar to the English letter - A - the first letter of the alphabet and also  - Ē - the fifth letter of the alphabet - the Quintessence] the symbol carried over from the pre-Christian, well into the Christian period and to our own days.
 

A Y A -- THE MOTHER GODDESS

 

Further Reading: See GENESIS - AYA
by ALEXANDER ARORDI VARBEDIAN.,
 In a monumental work of almost 1,000 pages the brilliant and
multitalented philosopher, architect and writer in his magnum opus
meticulously narrates the 12,000 year history of
the Armenian nation and the beginnings of the present
Human Civilization in the highlands of Armenia.