T H E    A R M E N I C   S H I N A R S

 


THE BRIGHT EYED ARMENIANS
WHO CALLED THEMSELVES AYAS

AFTER THEIR SUPREME FEMALE MOTHER GODDESS LATER IN THE

THIRD MILLENNIUM BC TRANSFORMED INTO MALE DEITY EA-HAYA...


THE SACRED SEAL OF INNANA [ANAHIT -- THE MOTHER GODDESS] AND EA-HAYA [ENKI]


ONE OF THE MANY SACRED SEALS OF A Y A. THIRD MILLENNIUM BC.



HAYASAN CEREMONIAL STATUETTES WITH THE SIGN OF INFINTI [TWO UNITED
TRIANGLES IN HORIZONTAL ALIGNMENT RESEMBLING AN
. THE HEAD OF THE
RIGHT STATUETTE ON THE IS IN THE FORM OF A SOLAR CROSS [NOTE MARKED
'11' AS THE POLE/STEM ON THE NECK] SYMBOLICALLY STANDING FOR THE
MIND CROWN OF PSYCHIC ENERGY. THE STATUETTE ON THE LEFT HAS THE SAME
SYMBOLISM AS AN EMANATING HALO/GLOW AROUND THE [PHALLIC] HEAD.
THE NAVEL IS ALSO MARKED [DOT WITHIN A CIRCLE] CONTAINED
IN A DELTA TRIANGLE IMPLYING ANDROGYNOUS ESSENCE OF THE FIGURE.
THE X DIVISION MARKS THE CONVERGENCE OF FOUR TRIANGLES
POINTING TO THE CENTER/HEART CHAKRA. CA. 2,500 BC.

The Sumerians that were of Armenic or Armenid extraction had established one of the first centers of civilization in the lower part of Mesopotamia. Many scholars agree that Sumerians initially inhabited Armenian Highland and gradually descended to first Northern


SOME OF THE COUNTLESS BEAUTIFUL SUMERIAN ARMENIC STATUES
WITH TRADEMARK LARGE EXPRESSIVE BRIGHT EYES...NOTE THE
CLASPED HANDS MUDRA ON CHEST [COMPLETE UNITY...].

Mesopotamia and eventually spread further south, establishing the cities of Ur [excavated by Sir Leonard Wooley in the 1920s], Uruk and Eridu [note the sacred variations -- AR-UR-ER-OR prefix]. Fortunately a number of Sumerian inscriptions dating from somewhere between 2750 and 2500 BC have been preserved.


AR-MEN-IC LANDS OF ER-IDU --ER-ECH -- HUR-UM [LIT. LAND OF FIERY MOUNTAINS]
-- AR-ATTA [AR-AR-AT-UR-AR-TU. METSAMOR OR MEDZAMOR
LITERALLY MEANS G R E A T   M O T H E R'S...



SYMBOL OF INANNA. LIKE THE SPEAR/POLE/LEAF
OF HALDI-EA WAS PLACED UPON THE DELTA
APEX OF THE TEMPLES. THE PAROYR [LIT. SPIRAL]
STILL POPULAR ARMENIAN NAME...WOULD SPIN IN
BOTH DIRECTIONS...THE RAM COLUMN/PILLAR WOULD BE
A SYNTHESIS UNITING THE TWO SPIRALS AND TURN
IN BOTH RIGHT AND LEFT DIRECTIONS.



INANNA HOLDING SYMBOLIC VARDEAK-ROSETTES NOURISHING THE LAMBS
[HER FLOCK...]. NOTE THE BUNDLE OF RODS TOPPED BY THE CIRCLE  --
REPRESENTING THE GODDESS.



BEAUTIFULLY MADE JAR FROM METSAMOR
WITH HARMONIC ORNAMENTS THAT BARE STRIKING
SIMILARITY OF GEOMETRIC SYMBOLS AND
PATTERN AS THE CERAMICS FROM MONTSERRAT.
OPENING EYE/WOMB/VULVA/
∞/SERPENTS IN BETWEEN PARALLEL
RUNNING HORIZONTAL LINES [WITH HORIZ. 'V' CHEVRONS].
CONVERGING UP AND DOWN TRIANGLES/DIAMONDS/RHOMBI
AND UNITED ZIGZAG RUNNING  'MWs....'
SECOND MILLENNIUM BC.


A   Y   A   AS THE  CREATRIX GODDESS
G   R    E   A   T       M   O   T   H   E   R

ENFACE ILLU. ÇATAL HÜYÜK, CA. 6,000 BC.
ENTHRONED WITH TWO LEOPARDS.



SOLAR CROSS MEDALLION FROM METSAMOR.
FOUR DIVERGENT TRIANGLES LEADING
TO THE CIRCLE IN THE CENTER.
SECOND MILLENNIUM BC.


ARMENIC SUMERIAN SEAL SHOWING A LOVING
COUPLE IN A WARM EMBRACE. VERY LIFELIKE EXPRESSIONS
AND THE GENTLE SMILE ON THE FACES OF THE LOVERS.
NOTE THE VULVA [DOWNWARD TRIANGLE...]. THIRD MILLENNIUM BC.


STAMP SEALS FROM ÇATAL HÜYÜK [LEVELS VI-II]. MELLAART (1964 a) FIGS. 40 AND 41.
IMBUED WITH SACRED GEOMETRIC ARCHETYPES [SPIRALING 'G's OR 'S's]
DIAMOND/RHOMBI [HEAVEN + EARTH UNION], TWIN CRESCENTS [TWIN GODDESS]
FACING RIGHT AND LEFT, CIRCLE WITH A HORIZONTAL. LINE PASSING THROUGH
THE CENTER. W-ESQUE AND TRIDENT ABOVE CRUX [AS AN X] WITHIN A CIRCLE..
FISH TAILED MALTESE CROSS LEADING TO THE OBLONG SQUARE [WITH MARKED
CENTER]...FOUR SPIRALS UNITE IN 69-ESQUE MOTIF [BETWEEN TWO PARALLEL LINES]
TO FORM THE COSMIC WHEEL...COSMIC AQUATIC WAVES [QUANTUM OCEAN]
TWO SHORTER VERT. POLES FLANK THE LONGER CENTER...69-ESQUE SERPENT
 WITH TWO DOTS....ON AND ON...IN SUM THE ASTROTHEOLOGICAL WISDOM OF
ARMENIC SHAMANS MORE THAN 9,000 YEARS AGO [IN PARALLEL WITH
THE ADVANCED DEGREE OF CIVILIZATION] WAS QUITE PROFOUND.


FORM STAMP FOR MARKING BAKED BREAD
IN THE SACRED PATTERN SYMBOLIC OF THE
GODDESS [SIRIUS]. CA. 1300-1000 BC.


HAYASAN-HITTITE GODDESS [PROBABLY TI-KIN OR DEU/DEV-KIN...KEANK
 LIT. DIVINE OR GODLY LIFE [GIVER]] KUM-BABA AS THE
GUARDIAN OF MYSTERIES. THE GODDESS STANDS ON TOP OF THE
RAM [GOLDEN FLEECE...] AND THROUGH SER [UNCONDITIONAL
ALL-EMBRACING LOVE] UNVEILS COSMIC TRUTHS TO THOSE THAT START
TO SEE BEYOND THE [PHYSICAL] VEIL. NOTE THE PUBIC HAIR IN THE
SHAPE OF THE DOWNWARD POINTING DELTA. MARKED NAVEL...
AND AMULET MADE UP OF THREE CRESCENTS. MARASH. CA. 1150 BC.

LET HER SAIL...


REMNANT OF A STATUETTE OF THE MOTHER GODDESS FROM
ONE OF THE HOMES IN METSAMOR. CA. 1300-1000 BC.



ARMIN WARRIOR'S BRONZE BELT FROM SECOND MILLENNIUM BC
DECORATED WITH PAROYRS [SPIRALS] IN 69-MALE-FEMALE PATTERN.
THE SPIRALING [AQUARIAN] WAVES...GIVE BIRTH TO
THE SOLAR FOUR-ARMED SQUARE. NOTE THE TRIANGLES
CAPPED WITH THE ONE RING [ETERNITY].


THE GREAT DRAGON SHIPS INCLUDED RIGHT AND LEFT SPINNING SPIRALS
[AYA-INANNA] AT THE TIPPING HORNS OF THE VESSEL [AQUARIAN-COSMIC
CONNECTION WITH THE GODDESS].


ARMAN DEFENSIVE WARRIOR FORMATION FROM URUK.
SCENES ARE SIMILAR TO THOSE OF STANDARD OF UR IN WHICH
THE CENTRAL PANEL OF THE TRIPLE-DECKER 'WAR' SIDE OF THE TRIPLE-DECKER
 PANEL [THE OTHER SIDE AGAIN DIVIDED
INTO THREE HORIZ. PARTS DEPICTS TRANQUIL SCENES OF EVERYDAY LIFE
INCLUDING ROYAL FEASTING CATTLE HERDING AND GATHERING OF CROPS
-- AND HENCE HAS BEEN APPROPRIATELY COINED 'PEACE...']
. CA. 2,600 BC. EXCAVATED BY THE GREAT SIR LEONARD WOOLLEY.


THE MUSEUM OF ANTIQUITIES IN METSAMOR HOUSES SOME OF THE MOST
 IMPORTANT ARTIFACTS OF THE PRIMORDIAL METALLURGICAL SMELTING
CENTER
. LIKE THE EREBUNI MUSEUM A QUADRANGLE ARCHITECTURAL DESIGN.



THE REMARKABLY WELL PRESERVED [OLDEST SURVIVING] WAGON
FROM LCHASHEN DIG. CA. 1,800 BC. PRESERVED THANKS TO THE TAR
THAT COVERED THE WAGON THAT WAS INITIALLY UNDER
THE WATERS OF LAKE SEVAN. AS THE WATERS OF THE GIANT LAKE
BEGAN TO RECEDE THE REMARKABLE ARCHAEOLOGICAL SITE WAS DISCOVERED.


LORI CASTLE. BRONZE LADLE WITH THE STATUETTE OF HELMETED WARRIOR
WITH AN ERECTED PHALLUS AND A 'TATTOO' OF A SWASTIKA [AS THE WARRIOR
MOST PROBABLY HAD] ON THE RIGHT LIMIT. SECOND MILLENNIUM BC.

They give us a fascinating glimpse into the Sumerian origins and culture. In the great Epic of Gilgamesh, the Sumerians recount the land of their ancestors, the Arattans in the Highlands of Armenia. Most scholars agree that Aratta [Suburi - Sumerians also known as Suberians and called themselves Shinar[ar]s] was in fact the first Indo-European state that existed in the first half of the third millennium BC. Archaeology has revealed that in Metsamor, between 2,800-2,600 BC, astronomer scientist high priests observed the rising of Sirius, and worshiped it. Sirius [Dog Star] symbolically stood for Matron Goddess Aya-Inanna-Ninhursag [later Anahit] of Aratta. Enmerkar, the grandfather of the hero Gilgamesh lived around 2,750 BC and the King of Aratta through his herald sent a message to Enmerkar stating that Inanna had not abandoned neither Aratta nor her house therein -- the Ziggurat Temple that was a primordial astronomical observatory and an origin site of metal smelting foundries...

THE ARMENIC SHINARS