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ĒRIMENA [ARMANI] WARRIOR-KING OF ARARAT. RECONST. BY:.ALCHEMIST.
IRON-TIPPED SPEARS, ROUND BRONZE SHIELD WITH CUNEIFORM INSCRIPTION
[PROTECTIVE CHANT ADDRESSED TO THE GODS OF PROVIDENCE].
BREAST ARMOR MADE UP OF INTERLACED BRONZE PLATES. CONIC-HELMET WITH
HORNS - STANDING FOR THE SKY GOD OF THUNDER AND LIGHTNING - TEYŠEBA.
LONG TUNIC STRETCHING TO THE ANKLES WITH LEATHER-STRAP BOOTS -
GUARANTEEING - EASY/COMFORTABLE MOVEMENT AND AGILITY - DURING LONG
MARCHES AND ON THE BATTLEFIELDS.

CRESCENT/BOAT-LIKE SHAPED GOLDEN EARRINGS FROM ARARAT WITH
TWO BIRDS AT THE TIPS FACING EAST AND WEST. THE SACRED TETRACTYS MOTIF
FORMING AN INNER ARCH.

GOLDEN NECKLACE THAT WAS ADORNED WITH PRECIOUS STONES.

SKETCH OF THE STATUE OF THE SUPREME GOD HALDI [HAYK/HAYAK SON OF
PRIMORDIAL EA-AYA-HAYA] WITH THE SACRED HORNED CONICAL/TRIANGULAR
SUN-CAP. ON DISPLAY IN THE BRITISH MUSEUM.

THE GOD OF THUNDER AND LIGHTNING TEYŠEBA ON THE SACRED BULL
AND THE SOLAR WINGED DISK. NOTE THE SUN-CAP [CROWN CHAKRA]
 WITH THE SACRED ORB ON TOP OF THE TRIANGLE.


THE RUINS OF THE MAGNIFICENT CITADEL OF THE CAPITAL TUŠPA-TOSP-VAN-BIAINA.

A   R   A   M   I   A   N        D   Y   N   A   S  T   Y

THE RENOWNED ARMENIAN AYRUDZI [HORSEMEN AND CHARIOTEERS]
ETCHED ON ARCHER'S ARROW CASE. TEYŠEBAINI. VIIITH CENTURY BC.

ABOVE: THE CHARIOTEERS OF ARARAT FIGHT OFF AN ARCHED HORSEMAN INVADER
IN A LIGHTNING-QUICK ASSAULT. THE ROUND SHIELD OF THE ARMANEN WARRIOR
COVERED ALL OF THE UPPER TORSO WHICH WAS ALSO COVERED IN BREAST-ARMOR
MADE UP OF INTERLACED METAL PLATES [SEE BELOW].
THE CHARIOT WAS INTRODUCED BY ARMANI-MITANNI-NAHARINS ALONG WITH THE
REVOLUTIONARY TECHNIQUE OF SMELTING IRON [IN FOUNDRY-CENTERS LIKE
METSAMOR THAT IS COVERED IN MITHRAIC-ASTROLOGICAL WRITING] THAT USHERED
N THE IRON AGE THROUGHOUT THE ANCIENT WORLD.
THE CHARIOT DRIVER WEARS THE ARMANI-MITHRAIC CAP [SYMBOL OF REGENERATION]
THE WARRIOR-SPEARMAN WEARS THE ICONIC ARARATIAN HORNED HELMET.
NOTE THE STANDARD. WINGED-GODMAN [AR.MANEN] OF ALL-FATHER SUN GOD AR.
THIS CREED WAS CARRIED OVER TO ALL PARTS OF THE WORLD. ZOROASTER
WOULD SPREAD IT FROM HIS NATIVE ARMENIA TO IRAN AND BEYOND IN THE FORM
OF ZOROASTRIANISM.

THE GREAT ARARATIAN TEMPLE OF MUSASIR. PROTO-TYPE OF ALL ARMENIAN
MITHRÆA [LIKE GARNI MITHRÆVM] THAT ALSO INFLUENCED ALL LATER
GRÆCO-ROMAN TEMPLES [THAT SPREAD WITH ARMENIAN MITHRAISM].
NOTE THE SPEAR OF DESTINY AT THE APEX.... [LEAF/TREE OF LIFE/AXIS MUNDI].

A MINIATURE MODEL OF AN ARARATIAN 3-STORY BUILDING WITH DOUBLE-WINGED
GATE ARCHING AT THE TOP, RECTANGULAR WINDOWS, STEPPED BATTLEMENTS,
AND A HIGH, NARROW TOWER. NOTE THE UP AND DOWN TRIANGLES AT THE TOP
WITH TRIPLE-DECK STEP PYRAMIDS. THE TOWER WITH SAME STEP-MOTIF
INCLUDED THE SPEAR/TREE OF LIFE/LEAF AT THE CENTER. RUSAHINILI
[NAMED AFTER KING RUSA WHO ERECTED THE CITY], LATE EIGHTH CENTURY BC.
ON DISPLAY IN THE  BRITISH MUSEUM, LONDON.

FURNITURE FITTING OF A THRONE THAT WAS IN THE PALACE IN RUSAHINILI.
NOTE THE DECORATIVE MOTIFS INCLUDING A 16-SPOKE SUN, THE TREE OF
LIFE [WITH TWO RAM-HORN SPIRALS SPINNING RIGHT AND LEFT AT THE BASE
WITH EIGHT [FOUR AND FOUR] BRANCHES FORMING AN Λ-DELTOID AT THE
TOP OF THE AXIS MUNDI. CROSS PATTÉE  [ALISEE] WITH THE ENDS OF
THE ARMS CONVEX AND CURVED WITH THE MARKED CIRCLE-WITHIN-CIRCLE
CENTER/CORE...] ALONG WITH V-SHAPED BORDERS WITHIN HORIZ. PARALLEL LINES.
NOTE THE SQUARE DIAMOND/CUBE ON THE SIDE WHICH WITHIN INCLUDES THE
FOUR-ARMS/BEAMS THAT LEAD TO THE CENTER... [QUINTESSENCE].
THE ABOVE ARE FEW OF THE  PATTERNS THAT EMBELLISH ALL OF
ARARATIAN SACRED ART LARGE AND SMALL.
LATE EIGHTH, EARLY SEVENTH CENTURY BC.

THE STATUE OF THE SUPREME GOD HALDI [HAYK/HAYAK SON OF
PRIMORDIAL EA-AYA-HAYA] WITH THE SACRED HORNED CONICAL/TRIANGULAR
SUN-CAP. ON DISPLAY IN THE BRITISH MUSEUM.

THE ANCIENT WORLD ACCORDING TO CLASSICAL GEOGRAPHER HECATÆVS [517 BC]
ARMENIAN WARRIOR'S HELMETS MARKED IN FRONT WITH THE
SYMBOL OF TEYŠEBA -- THE GOD OF THUNDER.
MANY OF THE HELMETS WERE FOUND FROM EXCAVATIONS IN
TEYŠEBAINI [NAMED AFTER THE SKY GOD OF THUNDER AND LIGHTNING]
IN THE VICINITY OF THE PRESENT DAY DISTRICT OF KARMIR BLUR IN YEREVAN.
ARMOR OF ARMENIAN WARRIOR [FROM THE REIGN OF KING ARGIŠTI I]
NOTE THE ARARATIAN SACRED SYMBOL OF MACROCOSM [SEVEN RAYS].

SUPREME GOD HALDI [HAYK OR HAYAK SON OF EA-HAYA-AYA] DEPICTED ON THE
ARARATIAN PLATE [ACCOMPANIED WITH OTHER DEITIES LIKE ŠIVINI AND TEYŠEBA
AFTER WHOM THE MIGHTY ARMENIAN CAPITAL TOSP-VAN WAS NAMED]
 AS THE SOLAR GOD OF THE ARMENIAN WARRIOR CASTE. ILLUMINATING RAYS
EMANATING FROM THE MICROCOSMIC BODY [DIVINE SPARK IN PHYSICAL
HUMAN FORM] THE FLAMING SPEAR, THE SWORD AND THE BOW.
NOTE THE SACRED CONICAL ARMANEN HELMET AND THE BODY ARMOR.

Aram (858-844)
Lutipri (844-834)
Sarduri I (834-828)

Ishpuhini (828-810)
Menua (810-785)
Argishti I (785-753)
Sarduri II (753-735)
Rusa I (735-714)
Argishti II (714-680)
Rusa II (680-639)
Sarduri III (639-635)
Eriména (635-629)
Rusa III (629-590)
Sarduri IV (590-585)

GENERAL PLAN OF ARARATIAN TOWN IN SQUARED LAYOUT AT ZERNAKI TEPE.

GENERAL PLAN OF ARARATIAN FORTRESS IN A SPHERICAL LAYOUT AT SUFIAN.

GENERAL PLAN OF FORTIFIED ARARATIAN STRONGHOLD AT AZNAVUR.

ARARTIAN GOLDEN AMULET WITH TWIN LIONS [RECURRING MOTIF]. BUT A SAMPLE
OF COUNTLESS BEAUTIFUL ARTIFACTS OF ARMENIAN MASTER GOLDSMITHS OF ARARAT
 THAT HAVE SURVIVED AND REACHED US.

RED BURNISHED WINE JUGS FROM TEYŠEBAINI [IN WHAT IS TODAY
THE KARMIR BLUR DISTRICT OF YEREVAN]. - CITY OF TEYŠEBA THE
GOD OF STORM AND THUNDER. SEVENTH CENTURY BC.
ON DISPLAY IN THE BRITISH MUSEUM, LONDON.

SACRED ALTAR IN A FORM OF A LION'S PAW. THE SACRED WINGED SUN DISK
WITH THE TAIL FORMING THE TRAPEZOID-BASE ALONG WITH TWO BI-DENTS
[TWO-PITCHED] FORKS EMANATING TO THE RIGHT AND LEFT...ABOVE THE
TWO SACRED 12-BEAM ASTERISKS [12 HOURS OF DAY AND 12 HOURS OF NIGHT...]
FOUR SMALLER CANDLES WERE PLACED IN THE WHOLES BELOW [FOUR ELEMENTS-
EARTH, WIND, FIRE AND WATER] WHILE A LARGER FIFTH ONE STANDING FOR
THE ETERNAL FLAME [QUINTESSENCE] WOULD BE PLACED ON TOP.
THE EIGHT [FOUR AND FOUR] LOOP RINGS ON THE SIDES WERE USED
FOR FIXATING THE ALTAR. NOTE THE ZIGZAGGING ΛV [MALE+FEMALE] -
A PREVALENT MOTIF IN ARARATIAN DECORATION [AND THE BASIS
OF THE SACRED ARMANEN-CHALDEAN CUNEIFORM PATTERN]

GRIFFIN-HEAD [DRAGON-SERPENT]. CA. 700 BC.

THE ROYAL SEAL